Jonzi is the founder and Artistic Director of Breakin’ Convention and Associate Artist at Sadler’s Wells. He has been actively involved in British hip hop culture since the early eighties and is widely regarded as a pioneer of hip hop theatre. Since graduating from the London Contemporary Dance School, he founded Jonzi D Productions and created Lyrikal Fearta, Aeroplane Man, TAG... Just Writing My Name and Markus The Sadist and The Letter, in response to being offered an MBE.

Jonathan danced with the Royal Ballet for 13 years before pursuing his own choreography. His main focus now is an ongoing series of duets with the composer Matteo Fargion, with whom he has given over 300 performances across 31 countries. They are contributing artists for William Forsythe’s Motionbank website project. Other high profile commissions include work for Sylvie Guillem, Forsythe’s Ballett Frankfurt and the National Theatre. Burrows has been an Associate Artist at Kunstencentrum Vooruit in Gent, London’s South Bank Centre and Kaaitheater Brussels. He is a visiting member of faculty at PARTS in Brussels and has been Guest Professor at universities in London, Hamburg, Berlin and Giessen. A Choreographer's Handbook (2010) by Jonathan is available from Routledge Publishing.

Accomplished actor and director, Anthony is the newly appointed Trainee Artistic Director at Talawa Theatre Company where he previously directed the (TYPT) sell-out production of Hatch at Hackney Showroom. He is also Resident Director for the world premiere of An Officer and a Gentleman UK tour. He’s directed his own re-visioning of Shakespeare’s Othello set in a world of ‘Black Ops,’ eavesdropping, surveillance and conspiracy at the Birmingham Hippodrome and also Article 8, George and BATR Zone C at Theatre 503. He was the assistant director on Iqbal Khan’s production of Othello at the Royal Shakespeare Company and has been staff director at the National Theatre as well as assisting at the Almeida, Tricycle, Royal Court, Theatre Royal Stratford East and Talawa Theatre Company. His career highlight was as assistant director on Debbie Allen’s all-black production of Cat On A Hot Tin Roof.

Ivan Blackstock describes himself as multifaceted artist and curator who has his roots in hip hop and pop culture, stimulating audiences through movement with multi-disciplinary art forms in conventional and unconventional environments. Blackstock invites the audience to his world of conceptual methods of sound and visual storytelling. His signature style of work has a multi-sensory edge-like quality with an incredible dexterous punch. He works closely in breaking structures and forming new ones using many tools and methods through research and improvisation and to support his concepts for each creative work.